Saturday, June 1, 2019

Princess Charming Essay -- Disney Fairytales Essays

Princess Charming Methodology I started thinking just about an appropriate topic for my theatre Report months ago. I considered the world of Punk culture in Chicago. Then I decided I knew too much already about this so I considered perhaps skateboard culture. At least this way I could learn something that I wasnt familiar with firsthand. But still, I sop up had a probatory amount of exposure to skateboarding so I kept searching. I considered the already ap groundd topics and looked specifically at folklore in fairy tales. I have been a fan of Disney movies since I was little, and other than considering which princess I wished to be like most, I never gave them a second thought. Once I began to think about them, I came up with some conclusions that make my view of Disney, and of fairy tales in general, less than magical. I concluded that my premise would be that indeed fairy tales be rich with folklore considering their timelessness, oral tradition, and mythical stories full of c ommon themes. However, these motifs go beyond merely romance, adventure, and evil. Included in this list should be the unrealistic standards for egg-producing(prenominal) beauty, female dependence on males for identity, female submission, and the idea that women need to be somehow saved by a heroic man. This research is not intended to prove that fairy tales are themselves evil or dissuade readers from ever watching another Disney re-make. It will instead hopefully encourage viewers to watch with a more critical eye, and in recognizing both the positive and negative folkloric characteristics of the films, change the concept of a fairy tale as a little girls dream, to what it actually is a fictitious story intended for the entertainment and amusement of children. ... ...e how filmmaking and its characters have evolved over time and what kind of progress we are making. Overall though, I enjoyed facial expression at these two movies from another, more critical, perspective. There ar e a lot of hidden connotations that I wasnt previously aware of. Once I started taking notice, they became ubiquitous. I look forward to the day when a woman holds the door for a man, an aggressive and confident woman is not made out to be the villain, and a man awaits his princess charming. Works CitedCampbell, Joseph. 1961. Departure, Chapter 1 in Hero with a Thousand Faces, first published 1949, 49-95. Princeton, New Jersey Princeton University Press. Cinderella. Walt Disney, 1950. Green, Philip. Cracks in Hollywood ideology and gender in Hollywood. Amherst University of Massachusetts Press, 1998. Sleeping Beauty. Walt Disney, 1959.

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