Critical analysis Essay Example | Topics and Well Written Essays - 750 words

Critical analysis - Essay ExampleNevertheless, the real issue at hand is the spring behind taking the image. Clearly, there is a peeperistic element with the way the images argon being represented through the lens. It stub be observed how the acts are conforming to the intended dirty word, the poor lighting, and the predating conditions before Yoshiyukis encounter with the couples. No one could honestly testify the real intent behind the scopophilia but judgment from a critics point of view, there seems to be no cooperation between Yoshiyuki and the group of people. In the context of photography, while Yoshiyuki did not anticipate the happenstance, the compel that sticks him with the ongoing public demonstration could be related to somebodyal photography, wherein he intended to seize the image for personal use (Wells 56) here is a person making choices, not a stationary camera recording what passes before it (Gefter, Sex in the Park, and Its Sneaky Spectators). The photo also suggests of his nature as a photographer a voyeur. Although, he vehemently disagreed that he is one. He asserts that My intention was to capture what happened in the parks, so I was not a real voyeur like them (Gefter, Sex in the Park, and Its Sneaky Spectators). ... As a matter of fact, the curator of photography at the Museum of Modern Art, agrees that Yoshiyukis work falls into a photographic tradition (Gefter, Sex in the Park, and Its Sneaky Spectators). In the past and maybe until today, aesthetic and subject matter of the photograph was considered as only of secondhand importance (49) what is more important is the image itself. Looking at the photo, it is rather conspicuous that no artistic impression was intended considering the ephemerality of such activity, the want behind the photo is the image alone an idea that conforms to personal photography in which the practitioner was more concerned of capturing the image rather than understanding its significance. Indeed, obsce nity does not entail unattackable standing hence, this has been discounted in the process, perhaps, due to the voyeuristic purpose of the photograph. As mentioned earlier, it can be argued that obscenity does not entail good standing. If this is so, what was the real motive of the practitioner? Voyeurism and scopophilia can be very subjective oftentimes and so Yoshiyuki, as he proclaimed himself a voyeur, points towards what he can take out of the perfect encounter although, the picture expresses manifold significance in the society. The picture somehow signifies the employment of nudity as an indicator of certain(prenominal) types of prejudice in that body is essential to colonial modes of power, including the processes of representation (84). The picture relatively depicts a social stratification in the Japanese civilization, in which women are significantly controlled by the men. Photography, in history, took part in the employment of modernist thinking that criticizes high and low cultures, which are